![]() ![]() One of the central issues of the case is what Paterno knew, when he knew it and whether he acted to cover it up or to save himself. "And now with Paterno, there is this creation." "When I played Roy Cohn Tony Kushner wrote a great character, not necessarily a replica of the real Roy Cohn but his imaginative interpretation of that character," he says. interplaying with him and getting stories, fresh, uninhibited, from his own experience. ![]() "When I did Serpico, I had the real friend of Serpico. It also works best when the real-life individual is in the actor's field of vision, Pacino notes. "And there's a certain credibility, because these things really happened, and it. "They're the stepping stone, they're the thing that gets you there," he says. There is, he adds, a measure of insulation that protects an actor tackling a real-life subject, regardless of his perceived guilt or complicity. "We discuss it and go over it sometimes for many weeks, until we come up with something that hopefully conveys something." "We don't make a replica but we try to see if we can come close to a sense of the character," he says. The key in telling this complicated story, Pacino says, was to not simply make a facsimile of the real individual, but rather to try and construct something more abstract that evokes a sense of his presence and emotions. Though Paterno died in 2012 (aged 85, of complications arising from lung cancer), the issue itself is still a sensitive one for those whose lives were destroyed by the abuses, and the subsequent scandal, and for Pennsylvania sports fans who are still divided on the issue. Caught in the storm: Kathy Baker and Al Pacino in Paterno.
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